Terminology note: By analogy with Barthes's lexias, I'd like to call those segments of auditory experience into which our hearing of a poem divides "audias" (singular: audia). In this nintety-six second poem by Anselm Berrigan, I hear forty-two audias (title included). I supply the following transcript, generated using the "label track" function of Audacity, as a way of beginning to think more seriously about how sentence, line, and audia interact and inform the analysis of poetry soundfiles. [Back to Lipstick of Noise.] Anselm Berrigan - "We're Not Going to Turn Me In" 1.225037 we're not going to turn me in 05.638961 apparation host 30.493328 i'd like to be ocean shaped and crashing at my edges vicious and open 48.041673 sleep so well I dream of bills 55.808663 the attractive drunk in our unfinished sentences 61.125578 the track lighting in pictures of plants 63.619855 the ambience of an audience expecting what it will receive 67.421260 my heart does not beat too fast 71.140575 the same theme slapped me into inaction 73.697998 but I run 74.828316 oh {owe} 79.261184 having lost all sense of tone 88.575257 a magnetic pansy rocking the division in our sheathed 93.349114 won't take my life |