The Act of Interpretation
- Fall 2005 - Prof. Steve
Evans
Reading
Syllabus Subject to change; check back frequently click
here for current week
week
one
7 September
Wednesday
Log:
Introduction to course. Decision about scheduling (MW 3:10-4:15, alternate
Fridays used for discussion sessions). Distinction between plot and
story, manifest content and latent content.
9 September
Friday
Introduction:
Purloined Letters, Paths of Nature and Artifice
§ Poe, "The Purloined Letter: Text with Notes by Thomas Ollive
Mabbott" (The Purloined Poe 3-26)
§ "Introduction to Theory and Criticism" (NATC 1-29)
§ Recommended: from Geoffrey of Vinsauf's "Poetria Nova,"
the page or two pertaining to "Ordering the material" (NATC
230-231)
Log:
Review of distinction between plot and story, manifest and latent content.
Passage from Vinsauf about the path of nature (plot sequence
identical to story sequence) and the preferable path of art, which puts
"last things first" (NATC 230). Defining the five canonical
narrative tempos: ellipsis, summary, scene, stretch, and pause.
Exercise
In
this course we will distinguish between two terms often used synonymously:
plot and story. The plot is the manifest text, the actual words presented
in the particular order chosen by the author. The story is the latent
text as reconstructed imaginatively by the reader on the basis of cues
and clues in the manifest text. For this exercise, you will need to
identify the major actions and events (no fewer than a dozen, no more
than twenty-six) narrated in Poe's "The Purloined Letter."
To the most recent action or event in the "story" assign the
number 1, then number the subsequent actions in their proper order through
to the most distant. Now shift your focus to the narrative presentation
of these actions and events (the plot). To the first major action or
event presented assign the letter A, then proceed through the plot assigning
alphabetic characters to the events as they are recounted or shown in
the manifest text. E-mail the results of your reflections to me by 8pm
on Monday, 11 September. Give both the numbers and letters to the left
of a brief description of the action or event. For example (the number
and letter are chosen at random here): "8G Prefect orders Minister
D's premises to be searched." Due as e-mail to Steven_Evans@umit.maine.edu
by 10pm on Sunday, 11 September.
week
two
12 September
Monday (an audiofile of this class exists)
Freud
+ The Classical Precedents: Plato I
§
Plato, "Ion" (NATC 33-48)
§ Macrobius, "Commentary on a Dream" (NATC 196-201)
§ Freud, chapters 1 & 2 of Interpretation of Dreams
Log:
Review of work five canonical narrative tempos. To which add
the tenses: past (flashback), present, and future (prolepsis).
Examples from Proust: "For a long time I went to bed early"
(retrospective, iterative). The "scene" of the Minister's
come-uppance in Poe: flashed forward but elided. Another tense:
the conditional ("as if"), counterfactual, or hypothetical.
Utopic projections: what if? For Plato all sensible experience
is "as if." Axiom: Literature knows more than theory
can articulate, but a pretty good terminology should carry us a fair
way into the matter. Slow motion (bullet time) a cinematic example
of stretch. New material: Plato's "Ion." Division
of intellectual labor: Who knows what? Who should know what?
The rhapsode knows Homer, but what does Homer know? "Look,
there is an art of poetry as a whole, isn't there?" (40).
The magnet and the iron rings (41): god > muse > poet > rhapsode
> spectator/auditor. Divine inspiration the sole source of
poetic composition. Others with this view: Shakespeare, the German
and British Romantics, the American poet Jack Spicer (who thought of
poets as radios receiving signals sent by "Martians").
The contrasting view: poet as artisan. Looking ahead to Aristotle
and Horace. The position of the spectator in Plato's magnetic
chain. Reader-response theory. Preview of Janice Radway's
Reading the Romance. What in us responds to a song
or poem? Tynnichus, the one-hit wonder from Chalcis. Analogy
between Dupin (in Poe) and Socrates. Figurative language: saying
more than one means to. On linguistics and literary studies:
setting aside content in favor of underlying structure. University
as division of intellectual labor: disciplines, departments, colleges,
etc. Literary theory as interdisciplinary, perhaps illegitimate.
Cervante's Don Quixote. Perverted by literature.
Looking ahead: to Freud. His contribution to German literature.
The passage from Schiller regarding reason and imagination.
Psychoanalysis as the study of human desire and the problems it causes.
The rational is not the whole story.
14 September
Wednesday (an audiofile of this class exists)
Freud
+ The Classical Precedents: Plato II
§
Plato, from "The Republic" and "Phaedrus" (NATC
49-86)
§ Freud, chapters 1 & 2 of Interpretation of Dreams
Log:
Introduction to Freud and the psychoanalytic paradigm. The dialogic
axis: analysand (who suffers, desires, and speaks) and analyst (who
receives discourse and cash). Talking and its ever-receding cure.
Two models of interpreting: symbolic (dream as a whole translated
into unitary meaning) and "decoding" (different elements translated
to different meanings). A constellation charged with tension,
like New Orleans the day after the storm but before the flooding: nothing
is neutral. The unconscious by definition unknowable (off the
board). The status of the wish or desire (wunsch) and
the mechanisms by which it makes itself more acceptable, to the ego,
to others. Condensation, displacement, considerations of representation
(darstellung), and other aspects of the "dream-work"
described in chapter six. Freud and the split subject.
Remarks on Vienna, Musil's Man Without Qualities, and Ludwig
Wittgenstein. Freud's candor, compared to Rousseau's and St.
Augustine's. Freud's dilemma: no one can occupy simultanteously
the position of analysand and analyst, yet he must, in order to inaugurate
his new "science." To be continued when we read Lacan.
Patriarchal chain of men presumed to know: Socrates - Dupin - Freud.
"The dream of Irma's injection." Summary and
discussion. "Take these people away! Give me three others
of my choice instead! Then I shall be free of these undeserved reproaches!"
(152). That troubling white patch. Desire, rivalry, shame.
How Freud reads. Elaborating on the manifest text.
The dialectic of part and whole in interpretation. Gradual reconstruction
of lost original, as in archeology. Turn to Plato. The
Republic and the Phaedrus. Dialogic structure parallel
to that found in Freud. Dialectic. Elencthus. Plato's truth:
supersensible, ideal. The problem with mimesis: it traffics
in appearance, and is indeed a copy of a copy. The three beds.
The allegory of the cave. An irony among others: in offering
passages to be censored, the Republic reproduces and preserves
the offending lines. Might Socrates mean something other than
he says with respect to poets? The lover of wisdom. Departing
from poetry as one does from a lover who's no good for you. Socrates'
polemic against writing, preserved in writing by Plato. Contrast
to Sappho. The patriarchal chain of men presumed to know, part
two: Socrates - Plato - Aristole - Alexander the Great. Freud
and his followers. Observe how Aristotle deftly sidesteps his
teacher's position on poetry. See image of Freud's couch here.
The death of Socrates here.
16 September
Friday
No discussion
section / no class.
week
three
19 September
Monday (an audiofile of this class is on reserve)
Freud
+ The Classical Precedents: Aristotle
§
Aristotle, Poetics, NATC 86-117
§ Freud, chapters 3-5 of Interpretation of Dreams
Please
submit in class a copy (not the original) of one set of reading
notes you have prepared in this course to date.
21 September
Wednesday (an audiofile of this class is on reserve)
Freud
+ The Classical Precedents: Horace & Longinus
§
Horace, Ars Poetica, NATC 124-35
§ Longinus, from On Sublimity, NATC 135-55
§ Freud, chapters 3-5 of Interpretation of Dreams
23 September
Friday (no audio file of this fifty minute session was made)
Discussion
session.
week
four
26 September
Monday (an audiofile of this class is on reserve)
Freud
+ What Is Language?
§
Heidegger, "Language," NATC 1118-1135
§ Freud, chapters 6 & 7 of Interpretation of Dreams
Assignment:
Hard copy of first position paper, of no more than 1000 words,
due in class. There will be no penalty for papers turned in as late
as Wednesday classtime. After that, however, no credit can be earned
for this assignment.
Option
One: Defend or rebut Socrates/Plato's decision to banish poetryand
indeed all mimesisfrom the community of the good envisioned
in the Republic.
Option
two: Based on your own interpretation of a recent dream, defend or
rebut Freud's thesis that "a dream is a (disguised) fulfillment
of a (suppressed or repressed) wish."
This
assignment requires you to take a position. Even if you feel a good
case can be made either way, be sure to commit yourself to one side
or the other by paper's end.
28 September
Wednesday (an audiofile of this class is on reserve)
Proust
+ What Is Language?
§ Heidegger,
"Language," NATC 1118-1135
§ Begin Proust, Swann's Way
30 September
Friday
No
class / no discussion section - post questions and comments to FC folder
week
five
3
October Monday (an audiofile of this class is on reserve)
What
Is Language?
Saussure, from Course in General Linguistics NATC 956-977
Levi-Strauss, "A Writing Lesson," NATC 1415-1427
Austin, "Performative Utterances," NATC 1427-1442
5 October
Wednesday (an audiofile of this class is on reserve)
What
Is Language?
Jakobson,
from "Linguistics and Poetics," NATC 1254-1265
Jakobson, "Two Aspects of Language & Two Types of Aphasia,"
NATC 1265-1269
7 October
Friday
No
class / no discussion section - post questions and comments to FC folder
Make headway in Proust
week
six
10 October
Monday
Fall Break
No Class
Make headway in Proust
12 October
Wednesday (an audiofile of this class is on reserve
but is mislabeled "Monday")
Proust
+ What Is Language?
Dante, from Il Convivio and from "Letter to Con Grande,"
NATC 246-252
Bakhtin,
from Discourse in the Novel, NATC 1190-1220
Finish "Combray" section of Swann's Way
14 October
Friday (an audiofile of this class is on reserve
but is mislabeled "October 17")
Fifty
minute discussion session
Focus on Proust's "Combray"
week
seven
17 October
Monday (an audiofile of this class is on reserve)
Proust
+ What Is an Author? Who is an Intellectual?
§ Barthes, "The Death of the Author" NATC 1466-1470
§ Foucault, "What Is an Author?" NATC 1622-1636
§
Proust, "Swann in Love" (193-397)
19 October
Wednesday (an audiofile of this class is on reserve)
Proust
+ What Is an Author? Who is an Intellectual?
§ Gramsci, "The Formation of the Intellectuals" NATC
1135-1144
§ Sartre, from What Is Literature, "Why Write?"
NATC 1333-1350
§
Proust, "Swann in Love" (193-397)
21 October
Friday
Proust
+ The Act of Interpretation
§ Schleiermacher, "Hermeneutics"
NATC 610-625
§ Finish "Swann in Love" section of Swann's Way
Fifty-minute
discussion session.
week
eight
24 October
Monday
Proust
+ The Act of Interpretation
§
Nietzsche, "On Truth and Lying in a Non-Moral Sense" NATC
870-884
§ Finish Swann's Way
26 October
Wednesday
Barthes
+ The Act of Interpretation
§ Poulet, "Phenomenology of Reading" NATC 1320-1333
§ Iser, "Interaction between Text and Reader" NATC 1670-1682
§
Barthes, A Lover's Discourse
28 October
Friday
Barthes
+ The Act of Interpretation
§
Eichenbaum, from "The Theory of the Formal Method," NATC 1058-1087
§ Barthes, A Lover's Discourse
No discussion
session scheduled
week
nine
31 October
Monday
Barthes
+ The Act of Interpretation
§
Jauss, "Literary History as a Challenge to Literary Theory"
NATC 1547-1564
§ Hirsch, "Objective Interpretation" NATC 1684-1709
§
Barthes, A Lover's Discourse
2 November
Wednesday
Barthes
+ The Act of Interpretation
§
Fish, "Interpreting the Variorum," NATC 2067-2089
§
Barthes, A Lover's Discourse
4 November
Friday
Kipnis
+ The Act of Interpretation
§ Kipnis, Against Love: A Polemic
No Class (Steve in NY for this)
week
ten
7 November
Monday
Kipnis
+ The Act of Interpretation
§ de Man, "Semiology and Rhetoric" NATC 1509-1527
§ Kipnis, Against Love: A Polemic
9 November
Wednesday
Kipnis
+ The Act of Interpretation
§ Fredric Jameson, "The Political Unconscious: Narrative as
a Socially Symbolic Act" NATC 1932-1960
§ Kipnis, Against Love: A Polemic
11 November
Friday
Kipnis
+ The Act of Interpretation
§ Finish
Kipnis, Against Love: A Polemic
Fifty minute discussion session
week
eleven
14 November
Monday
Radway
+ The Act of Interpretation
§ Hall, "Cultural Studies and Its Theoretical Legacies,"
NATC 1895-1910
§
Begin Radway, Reading the Romance
16 November
Wednesday
Radway
+ Subjects of Capitalist Modernity: Masters & Slaves
§ Hegel,
from The Phenomenology of Spirit, NATC 626-636
§ Radway, Reading the Romance
18 November
Friday
Radway
+ Subjects of Capitalist Modernity: Gender
§ Wollstonecraft, from A Vindication of the Rights of Woman,
NATC 582-594
§ de Stael, both selections in NATC, 594-610
§ Radway, Reading the Romance
Fifty minute discussion session
week
twelve
21 November
Monday
Radway
+ Subjects of Capitalist Modernity: Gender
§ Radway, Reading the Romance
§ Woolf, from A Room with a View, NATC 1017-1030
§ de Beauvoir, from The Second Sex, NATC 1403-1415
23 November
Wednesday
Thanksgiving
Break - No class
25 November
Friday
Thanksgiving
Break - No class
week
thirteen
28 November
Monday
Purloined
Poe + Subjects of Capitalist Modernity: Gender
§ Rich, from "Compulsory Heterosexuality....," NATC 1762-1783
§ Wittig, "One Is Not Born a Woman," NATC 2014-2021
§ Purloined Poe, Chapter One, "Poe & Lacan"
(1-99)
30 November
Wednesday
Purloined
Poe + Subjects of Capitalist Modernity: Gender
§ Sedgwick,
both selections in NATC 2432-2445
§ Butler, from Gender Trouble, NATC 2485-2502
§ Purloined Poe, Chapter One, "Poe & Lacan"
(1-99)
2 December
Friday
Purloined
Poe + Subjects of Capitalist Modernity: Gender
§ Spivak,
from A Critique of Postcolonial Reason, NATC 2193-2208
§ Purloined Poe, Chapter One, "Poe & Lacan"
(1-99)
Fifty minute discussion session
week
fourteen
5 December
Monday
Purloined
Poe + Subjects of Capitalist Modernity: Gender
§ Haraway,
"A Manifesto for Cyborgs," NATC 2269-2299
§ Purloined Poe, Chapter Three, "Derrida and Responses"
(157-283)
7 December
Wednesday
Purloined
Poe + Subjects of Capitalist Modernity: Race & Empire
§ Dubois,
"Criteria of Negro Art," NATC 977-987
§ Hurston, both selections in NATC 1144-1163
§ Hughes, "The Negro Artist and the Racial Mountain,"
NATC 1313-1317
§
Purloined Poe, Chapter Three, "Derrida and Responses"
(157-283)
9 December
Friday
Purloined
Poe + Subjects of Capitalist Modernity: Race & Empire
§ Fanon,
from The Wretched of the Earth, NATC 1575-1593
§ Ngugi et al., "On the Abolition of the English Department,"
NATC 2089-2087
§ Purloined Poe, Chapter Three, "Derrida and Responses"
(157-283)
No discussion session
week
fifteen
12 December
Monday
Purloined
Poe + Subjects of Capitalist Modernity: Race & Empire
§ Said,
from Orientalism, NATC 1986-2012
§ Purloined Poe
14 December
Wednesday
Catch up
day, evaluations, conclusions
16 December
Friday
No discussion
session
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