ENG 529.002 • Spring 2011
English DepartmentUniversity of Maine
Dr. Steven R. Evans

Reading James Joyce's Ulysses


James Joyce Line DrawingCOURSE DESCRIPTION

This graduate-level seminar will be dedicated to the task, best accomplished in good company, of reading James Joyce's Ulysses. Prior knowledge of the text, in part or in full, is welcome but by no means presupposed. We will draw on the different background competencies and interests of seminar participants, as well as the ample (and ever-expanding) body of secondary literature, in the course of interpreting a novel that has had a decisive impact on our understanding of literary modernism and its aftermath.

Prerequisites: Graduate standing in English or instructor’s permission

REQUIRED TEXT

James Joyce, Ulysses. Our common reference will be to the edition prepared by H.W. Gabler for Vintage Books in 1986; alternative editions are acceptable.

 

ASSIGNMENTS & EXPECTATIONS

READING

Students may expect to read roughly sixty-five pages of Ulysses for each session of the seminar (see reading syllabus). At this pace, we will have completed the novel by the twelfth week of the semester. The remaining two weeks will be used for focused re-reading and the presentation of research in advance of the seminar papers that will be submitted in finals week.

NOTES

Students will be expected to demonstrate their careful preparation of the week’s reading by submitting in writing before class and, when requested, presenting verbally in class, notes consisting of the following four elements:

Notes should be formatted so as to fit on a single standard sheet of paper (front and back).

IN-CLASS PRESENTATIONS

In the weeks prior to spring break (weeks two through seven), students will prepare two brief presentations:

ANNOTATIONS

Beginning in week eight, students will be expected to provide on a regular basis brief annotations (approximately 300 words each) of the articles, book chapters, and other scholarly resources that they have consulted in the process of discovering and researching the topics of their final projects. A minimum of seven annotations are required: five will be on peer-reviewed scholarly articles, essays, and chapters; two will be on scholarly monographs to be selected in consultation with the professor.   

SEMINAR PAPERS

Seminar papers (on a topic to be determined in consultation with the professor no later than week twelve) will be due during finals week. Seminar papers should be between twelve and twenty pages in length and follow the format and conventions prescribed in the MLA Handbook.

COURSE POLICIES

INCLEMENENT-WEATHER POLICY

We often experience complicated weather in the spring semester. In addition to monitoring the University’s weather line (581-SNOW), seminar members are also advised to check their e-mail before five o’clock on the evening of class to learn of possible instructor-initiated cancellations. Because we meet just once a week, classes cancelled due to inclement weather will be rescheduled at a time convenient to the majority of seminar participants. 

HEALTH-RELATED CONTINGENCY PLAN

In the event of disruption of normal classroom activities due to an H1N1 swine flu outbreak, the format for this course may be modified to enable completion of the course. In that event, you will be provided an addendum to this syllabus that will supersede this version.

ACADEMIC DISHONESTY

Plagiarism—the presentation of someone else's writing and/or thinking as your own—will result in immediate failure of the class and notification of the appropriate University authorities. Other forms of academic dishonesty are, likewise, not tolerated.

DISABILITY NOTICE

If you wish to request an accommodation for a disability, please speak with me or with Ann Smith, Coordinator of Services for Students with Disabilities (Onward Building, 1-2319) as early as possible in the semester.

OFFICE HOURS & CONTACT INFORMATION

My normal office hours are scheduled for 1-2:30pm on Monday afternoons, but I am also available to members of the seminar by appointment from 2:30-5pm on Mondays and from 1-5pm on Wednesdays.

My office is in Neville 313; my university phone line is 207-581-3818.

A note on First Class: We will be using a First Class Course Conference for some of the business of the seminar, including submission of written work. Members of the seminar are also invited to be in touch with me by e-mail using the First Class system. Because I have my FC mail forwarded to a program I prefer, the “history” function is often deceptive. If you have any doubt about whether I’ve received a communication from you, please simply write again or leave a message on my office phone.


READING SYLLABUS

week one
Preliminary remarks

week two
The works preceding Ulysses: Dubliners (1914), A Portrait of the Artist as a Young Man (1916), and Exiles (1918)

week three
U 3-57 [Chapters 1-4]
Dubliners presentations

week four
U 58-123 [Chapters 5-7]
Dubliners presentations

week five
U 124-179 [Chapters 8-9]
Dubliners presentations
Portrait presentations

week six
U 180-239 [Chapters 10-11]
Portrait presentations

week seven
U 240-313 [Chapters 12-13]
Portrait presentations

spring break & week eight
U 314-349 [Chapter 14]
Research presentations

week nine
U 350-497 [Chapter 15, begun]
Research presentations

week ten
U 350-543 [Chapter 15-16]
Research presentations

week eleven
U 544-607 [Chapter 17]
Research presentations

week twelve
U 608-643 [Chapter 18]
Research presentations

week thirteen
Further reading & research presentations

week fourteen
Further reading & research presentations

finals week
Seminar papers due